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  <channel>
    <title>Express Milwaukee - Film</title>
	<link>http://demo.wehaa.com/</link> 

  <item>
    <title><![CDATA[Flawless]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-1786-flawless.html]]></link>
    <description><![CDATA[A Demi Moore thriller  Hitchcock preferred blondes, but in Flawless, the brunette Demi Moore fills the pumps once occupied by Janet Leigh, Kim Novak and Eva Saint Marie. Moore plays Laura Quinn, an unfulfilled American expatriate in London. It&rsquo;s 1960. She is 38, never married and determined to make a career in a world where few women had careers. Laura sails each morning into the offices of the giant London Diamond consortium like a frigate at full steam, impassive, ready for the challenge of wearing a skirt in an old boy&rsquo;s club.

 Through intelligence . . .
                                ]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[The First Saturday in May]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-1787-the-first-saturday-in-may.html]]></link>
    <description><![CDATA[Kentucky Derby contenders  For anyone who cares deeply about horse racing, The First Saturday in May is not a cryptic calendar reference, but the year&rsquo;s most anticipated red-letter day. It&rsquo;s the annual running of the Kentucky Derby, only the first of American racing&rsquo;s Triple Crown but more storied than any other equine contest.

 Directors John and Brad Hennegan set out the statistics at the start of their documentary, focused on the 2006 Derby. Of the 40,000 thoroughbred horses in the United States, 23,000 will make it onto a racetrack. Only 20 of them will bolt onto the track . . .                ]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[A Grin Without A Cat]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-1935-a-grin-without-a-cat.html]]></link>
    <description><![CDATA[Grinning at the recent past History is memory writ large, with as many authors as disagreements, as many recurrences as digressions. Like personal memory, the larger narratives of history are always forgetful and are telling for what they omit as well as what they include.

  The enigmatically titled . . .
                        ]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[The Visitor]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-1934-the-visitor.html]]></link>
    <description><![CDATA[An immigrant story   Walter Vale stares from the window of his well-appointed suburban Connecticut home. He is alone, and as one scene in The Visitor moves into the next, we learn more. Walter (Richard Jenkins) is plodding through his career as an economics professor, droning on about globalization to a big lecture hall, working desultorily on a book few will ever read. 

                  ]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[Rock of Ages (Young@Heart)]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-1981-rock-of-ages-(youngaheart).html]]></link>
    <description><![CDATA[Old folks in concert   You might think the notion of a bunch of septuagenarians and octogenarians belting out cover versions of rock &rsquo;n&rsquo; roll tunes sounds hopelessly schmaltzy. You wouldn&rsquo;t be alone.

  Stephen Walker, the director of Young@Heart, says he chuckled at the irony of his initial reaction. When his wife approached him with the idea of hearing a concert by the group, Walker recoiled at the prospect and told her, &ldquo;That sounds awful.&rdquo;

  &ldquo;I had little interest in the concert,&rdquo; Walker says. &ldquo;I didn&rsquo;t know what to expect. I thought it was a gimmick or it might be karaoke.&rdquo;
        ]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[Iron Man Lite]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-1980-iron-man-lite.html]]></link>
    <description><![CDATA[Robert Downey&rsquo;s superhero   If you&rsquo;re anything like me, you know of Iron Man from the Black Sabbath song, not the Vietnam-era comic book that inspired it. But out in the hinterlands of fandom, Iron Man remained a popular Marvel superhero, even if Hollywood never lifted him from pulp pages to the big screen. It wasn&rsquo;t for lack of interest. The one-man panzer division moved from studio to studio, attracting and repelling actors and directors. After more than 10 years in development, Iron Man has finally arrived, with Robert Downey Jr. in the title role and director Jon Favreau (Elf) behind the viewfinder.        ]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[Built for Speed (Speed Racer)]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-2101-built-for-speed-(speed-racer).html]]></link>
    <description><![CDATA[From the Matrix to the playpen   I was born a year too soon for the &ldquo;Speed Racer&rdquo; television show. Other than overhearing the irritatingly insistent theme song, I was never exposed to it. &ldquo;Speed Racer&rdquo; was kid stuff&mdash;a show for fourth graders when I was ready for grade five. Those are the years when minute age differences can make all the difference in the world.        ]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[Rambunctious Boys (Son of Rambow)]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-2100-rambunctious-boys-(son-of-rambow).html]]></link>
    <description><![CDATA[Action-adventure in middle school   Sylvester Stallone&rsquo;s grimacing killing machine, Rambo, became a symbol of jingoism in the Reagan era, applauded by many Americans and derided by others. Those with a queasy sense of irony even found him funny. In Son of Rambow (so spelled because of trademark difficulties), British writer-director Garth Jennings (The Hitchhiker&rsquo;s Guide to the Galaxy) would have us believe that the bulletproof avenger was capable of liberating the human imagination and inspiring a generation . . .                      ]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[Darkness in Narnia]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-2184-darkness-in-narnia.html]]></link>
    <description><![CDATA[Return of the kings and queens Harry Potter went darker as the series progressed and the same may be happening with The Chronicles of Narnia. The body count runs high in Narnia&rsquo;s second installment, Prince Caspian, and some scenes are surprisingly brutal for a children&rsquo;s movie. This time the Pevensie siblings enter Narnia not through a wardrobe but the London subway, where bullies are knocking brother Peter (William Moseley) against the tiled walls. Through a warp in space and a stitch . . .]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[Crack the Whip]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-2183-crack-the-whip.html]]></link>
    <description><![CDATA[Indiana Jones and the Evil Empire   The first thing we hear in Indiana Jones and the Kingdom of the Crystal Skull is Elvis Presley&rsquo;s &ldquo;Hound Dog&rdquo; and the first thing we see is a hot rod full of carefree teenagers, zipping around a U.S. Army convoy as if daring it to a drag race. The tone is breezy and the time and place are established with smooth efficiency: It&rsquo;s the 1950s and the convoy is headed for one of those Trinity, Area 51 bases hidden in the rocky no man&rsquo;s land of the American West.]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[Falling Short]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-2264-falling-short.html]]></link>
    <description><![CDATA[A Hollywood fairy tale   Ten years ago I described Tarsem&rsquo;s feature debut as a director, The Cell, as an example of an emerging cinema whose impressions were visual more than verbal and whose visuals were achieved in part by quick montages of images. That Tarsem made his mark with the R.E.M. video &ldquo;Losing My Religion,&rdquo; as well as sneaker and soft drink ads, was held against him by critics who resisted the kinetic, jump cutting visual language of the MTV generation . . .]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[Made For Each Other]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-2263-made-for-each-other.html]]></link>
    <description><![CDATA[From friendship to love?   Can close but Platonic friendship between man and woman grow into love and marriage? The romantic comedy Made of Honor explores the theme with humor and insight. One imagines the principal screenwriter, Adam Sztykiel, may have been close to the situation experienced by his protagonists, Tom (Patrick Dempsey) and Hannah (Michelle Monaghan).

  Made of Honor is effervescent as champagne but packs an eight-proof kick below the bubbles. The sharp edges of the script are felt in the opening scene, set at Cornell in 1998 during a student masquerade dance . . .
        ]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[Shutter]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-1372-shutter.html]]></link>
    <description><![CDATA[Shuttering in the Dark. Another Asian horror Night has fallen on a remote, deserted highway. A young married couple drives sleepily through the darkness toward their honeymoon cabin near Japan&rsquo;s Mount Fuji when a gaunt, staring woman wanders into the road and is struck by their speeding car. When the couple regains consciousness after doing a figure-eight down a ravine, they can&rsquo;t find the woman&rsquo;s body.  But the Body will find them, turning up especially in photographs . . .        ]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
  </item>
  <item>
    <title><![CDATA[Tracks]]></title>

    <link><![CDATA[http://demo.wehaa.com/article-1371-tracks.html]]></link>
    <description><![CDATA[Across the Tracks. Making movies in Milwaukee? After opening scenes around the kitchen tables of their homes, the two very different teenage girls at the heart of Tracks finally meet in the girls-room mirror at school. They don&rsquo;t like what they see at first, but find each other again through the Internet and become fast friends.

Catherine (Amanda J. Hull) comes from a solid though not entirely perfect upper-middle-class family where mom takes an interest and sets expectations. Claire (Rebecca Rose Phillips) is lowermiddle-class; her mom snarls at her from across the room. When Claire is called . . .        ]]></description>
    <pubDate><![CDATA[Tue, 03 Jun 08 17:24:27 -0500]]></pubDate>
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