
This Week in Milwaukee
Thursday, May 15
VHS or Beta @ Stonefly Brewery, 9 p.m.
VHS
or Beta doubled down on the dance-punk craze of a half-decade ago,
pairing their twitchy guitars with boisterous, Daft Punk-styled party
beats. As dance-punk petered out, lasting barely as long as the
late-’90s swing revival, the Louisville, Ky., band attempted to save face by moving toward a more restrained—and very much in vogue—’80s nostalgia sound.
On their newest album, Bring on the Comets, they’ve again gone all out: None of their contemporaries have so fully embraced Tears for Fears. The band’s melodic sensibilities, paired with their still-danceable beats, make them crowd favorites, but their calculated, seemingly insincere sound has also made them critical whipping boys.

Express Yourself Milwaukee presents “Celebrate” @ The Helfaer Theatre, noon and 6 p.m.
The
Shepherd Express is proud to sponsor Express Yourself Milwaukee Inc., a
nonprofit group that uses the arts to mentor at-risk youth. Every year,
Express Yourself Milwaukee concludes their year with a lavish showcase.
This year’s, themed “Celebrate” because it coincides with the
organization’s fifth anniversary, features contributions from 130
kids—even the sets were created by the program’s participants. In
addition to the music, art pieces, dances and spoken-word
presentations, there will also be a performance featuring members of
the percussive-dance ensemble Stomp. (For more information on Express
Yourself Milwaukee and the “Celebrate” event, visit
ExpressMilwaukee.com.)
Friday, May 16
Dosh @ The Cactus Club, 10 p.m.
Anticon
Records is still best known as a hip-hop label, but there’s nary a
trace of hip-hop in the label’s longtime recording artist Dosh, an
ambient multi-instrumentalist from Minneapolis. Dosh’s just-released
album Wolves and Wishes features guest contributions from artists as
disparate as Andrew Bird, Fog and Bonnie “Prince” Billy. Dosh has a
long history with at least two of the three: He’s toured and recorded
with both Fog and Bird, even co-writing songs on Bird’s latest album,
Armchair Apocrypha. Although the sonic similarities between Dosh and
Bird are few—Dosh’s music is entirely instrumental, frequently with
free-jazz flourishes—Dosh shares Bird’s measured, academic sense of
composition.
Friday, May 16
Troublemaker w/ E.Rich and Why B @ Jackalope Lounj, 10 p.m.
Los
Angeles’ Troublemaker is no stranger to high-profile paying gigs,
having DJed Arnold Schwarzenegger’s 60th birthday party and remixed
Linkin Park for their Reanimation album. His brand of electronica is
every bit as suave as you’d expect from a guy who’s managed to make a
name for himself and turn a profit in L.A.’s crowded scene, but it also
sports a dirtier edge than his champagne-sipping lifestyle might
suggest. During a typical set, disembodied synths and disorienting
snare drums pound against dubby reggae beats and hyper, booty
basslines.

Blue Oyster Cult @ Potawatomi Bingo Casino, 9 p.m.
After
playing together for more than 40 years now, ironically, Blue
yster Cult have reached the point where they do need to fear the reaper. At
least they don’t need to worry about their legacy, which is well
cemented. They were one of the bands to lend a literary edge to
heavymetal songwriting; they were also the first to flaunt the
nonsensical umlaut, a move that would later be appropriated by bands
from Queensryche to Motley Crue. Of course, to a younger, “Saturday
Night Live”-watching generation, their legacy is the cowbell, which was
featured on their signature song “(Don’t Fear) The Reaper,” albeit not
to the extent surmised by the popular “SNL” Gene Frenkle sketch.

Saturday, May 17
Swap-O-Rama-Rama @ Milwaukee Sewing Machine, 9 a.m. to 5 p.m.
This
now-annual event at Milwaukee Sewing Machine, 7226 W. Greenfield Ave.,
encourages people to recycle and swap clothes instead of throwing them
away. For $5, participants can bring a bag of old clothes, shoes and
accessories to swap and re-use. There will be plenty of sewing machines
and silkscreening, stamping, embroidering and knitting equipment
available to help participants tweak those old clothes, turning the
unwanted into something personalized and fashionable.
Saturday, May 17
Face Value @ Shank Hall, 8 p.m.
Here’s
a statistic that might surprise non-Genesis diehards: In a sign of just
how enduring the band is, no fewer than three Genesis tribute groups
have swung through Milwaukee in the past six months. This week’s, Face
Value, is something of an outsider in Genesis cult circles, since
instead of recreating the band’s heralded, proggy ’70s output, they
prefer to stick to the poppier, Phil Collins-led ’80s material. This
Indianapolis cover band even throws a few scraps from Collins’ solo
discography into their sets.
Kevin Eubanks Trio @ The Cedarburg Performing Arts Center, 8 p.m.
Jazz
guitarist Kevin Eubanks is best known for his passive, goodnatured
presence on “The Tonight Show,” where he plays Paul Shaffer to Jay
Leno’s David Letterman, but musically he’s far more adventurous than
the tame, adult-contemporary tone of “The Tonight Show” might suggest.
Some of his recordings even hint at the edgy guitar work of Mahavishnu
Orchestra-era John McLaughlin.

Sunday, May 18
The Hives @ The Rave, 8 p.m.
After three great albums of fully realized garage-punk, Sweden’s
self-aggrandizing superstars The Hives threw listeners for a loop last
year with The Black and White Album, a polished, freewheeling pop
record that even included a couple of collaborations with The Neptunes.
Critics scratched their heads, but the album was a commercial hit in
the most literal way possible— meaning that it was a hit in actual
commercials, its songs having been used in ads for Nike and a couple of
popcorn films. Fans longing for The Hives of yore should take comfort
in knowing that, despite the group’s newfound studio eclecticism, their
lean-and-mean live shows have remained virtually untouched. (To read an
online exclusive interview with Chris Dangerous from the group, visit
ExpressMilwaukee.com’s music page.)

Lisa Williams @ The Pabst Theater, 7 p.m.
Medium
clairvoyants are the lowest of the low, bottom feeders who, using cold
reading to create the illusion of channeling the dead, profit off the
fears and anxieties that people feel following the death of a loved
one.
A John Edward for the Oprah set, Lisa Williams keeps the
tradition alive with her Lifetime series “Lisa Williams: Life Among the
Dead.” Those with spiritual concerns would be better served by a
homemade Ouija board, but for those seeking cheap thrills, Williams
offers them in spades (during one scene from her show, she professed to
feel stabbing pains after channeling the supposed spirit of a murder
victim). Her only supernatural talent is her ability to keep a straight
face.
Tuesday, May 20
Killswitch Engage @ The Rave, 8 p.m.
Boston
metal favorites Killswitch Engage never met a style of vocals they
didn’t like. Graveyard growls? They’re all about them. Axl Rose wails?
Sure. Caustic screams? Yup. Lofty melodic crooning? Oh yeah. Their
music covers almost as much territory as their vocals, ranging from
spry metalcore to chest-beating death metal. Head to the band’s MySpace
page to hear a spirited, straight-faced cover of Dio’s “Holy Diver.”

Wednesday, May 21
Alter Bridge @ The Rave, 8 p.m.
Apparently
Scott Stapp isn’t the type of guy you want to drink a beer with. Who
knew? After Creed disbanded acrimoniously—very acrimoniously—in 2004,
the members of the band that weren’t Stapp (including Brian Marshall,
the bassist Stapp had kicked out of the band) reformed as Alter Bridge,
recruiting new singer/songwriter Myles Kennedy, who sings like a
grounded Chris Cornell. Their music still has a similar Alice in
Chains/Pearl Jam vibe to it, but without Stapp, some of the
melodramatic thrills are gone—then again, so is that air of
pretentiousness that rubbed so many people the wrong way with Creed.
AP - The chief executive officer of failed insurance conglomerate AIG acknowledged Wednesday that the company's multimillion-dollar bonuses were "distasteful" to many and had provoked a firestorm of wrath. "I share that anger," Edward Liddy, chairman and CEO of the American International Group Inc., said in testimony prepared for Congress.

AP - The chief executive officer of failed insurance conglomerate AIG acknowledged Wednesday that the company's multimillion-dollar bonuses were "distasteful" to many and had provoked a firestorm of wrath. "I share that anger," Edward Liddy, chairman and CEO of the American International Group Inc., said in testimony prepared for Congress.


