
Migrating across a country’s border requires
courage. While this journey inspires hope for an improved future, it also
necessitates perseverance. Expressing these themes visually and creatively, the
exhibition “Caras Vemos, Corazones no Sabemos: Faces Seen, Hearts Unknown, The
Human Landscape of Mexican Migration” documents the fluidity between the
Mexican-American border as well as the intermingling of both cultures.
This impressive exhibit opens April 24 at the Haggerty
Museum of Art, with a portion of the work also exhibited at the
The
Examples include the silkscreen Bicultural Table Setting (1998)
depicting Rolando Briseno’s picnic-like convergence of ethnic cuisines. With
wood, paper and mixed medias, Esperanza Gama’s Grandfather (1996) displays Latino ancestry with striking
imagination and emotion. Another contemporary acrylic, Coming Home (2006) by Ramon Ramirez, is bathed in strokes of
sapphire blues and brings to mind the work of David Hockney with a cultural
twist.
An accompanying catalogue examines how the identity
of Mexican immigrants, their hopes and dreams of living in American society,
changes their perception of their homeland as well as their host country.
Wally Mason, director of the
The
AP - The chief executive officer of failed insurance conglomerate AIG acknowledged Wednesday that the company's multimillion-dollar bonuses were "distasteful" to many and had provoked a firestorm of wrath. "I share that anger," Edward Liddy, chairman and CEO of the American International Group Inc., said in testimony prepared for Congress.

AP - The chief executive officer of failed insurance conglomerate AIG acknowledged Wednesday that the company's multimillion-dollar bonuses were "distasteful" to many and had provoked a firestorm of wrath. "I share that anger," Edward Liddy, chairman and CEO of the American International Group Inc., said in testimony prepared for Congress.


